1947-1949


"Vacumatic Successor" or "Victory Successor". A last try during the hooded nib-era to introduce a pen with an open nib. An eccellent writer but overlooked by the costumers. The VS was however more popular in Europe where it sold much better that in the US. Christian Olsen continued producing it into the 1950's, adding a colour not found in the US, the brown.
  It was very similar in design to the Parker 51. Outwardly the only thing that differed was the clip, which in turn was very similar to the later style Challenger clip, a tapered version with the imprint "Parker".
  Inside the cap was a standard sized gold nib and had an uncommon feed, made in a transparent material referred to as "lucite". Mark I had a novelty filling system which was an aluminium button filler, fitted inside an aluminium socket, of the same design of the later 1948 Duofolds made in Newhaven, UK. This filler, in the Parker tradition, hid under a blind cap the colour of the body.
  There has been much discussion regarding the meaning of the letters "VS". Some have suggested "Victory successor", either relating to the end of World war II, or to the English model Parker (new) Victory, introduced in 1946.
  A more probable explanation is that the letters stand for "Vacumatic Successor", since the VS was introduced while the Vacumatic line was being phased out. Furthermore the VS combined the open nib of the best-selling Vacumatic with the "bomber" design of the all ready best-selling Parker 51.
  In 1947 the colours were:

   • Black
   • Grey
   • Rust

  These first pens had a "leathery" finish to the plastic. The second generation, Mark II, included the colour blue and later the burgundy. Late in 1948 the aluminium filler — following the Parker 51 restyling — was replaced with the aerometric filling system . The VS-sales weren't going too good so Parker tried to stimulate the market by modernising the line. Since the Parker had a lot of un-sold VS's they decided to re-use the old stock and actually glued the blind caps on to the bodies, creating a body even more in the manner of the Parker 51. Looking close the glued crack is clearly visible.
  Still the filling system wasn't the problem with the pen. People just wanted the fashionable, smart, hidden nibs and in 1949 no more VS's were produced. Production probably ended before that, they just kept on selling out the old stock.
  The VS was also produced by Christian Olsen (Parkers subsidairy in Denmark since the 1920's) . The VS sold much better in Europe and Christian Olsen (also known for their own brand of pens "Penol") re-launched the VS, Mark III, with the new body imprint "New VS". This last style also included the final (and rather rare) color of brown to the line, a colour not found in the US versions.
   The early "leathery" Mark I's are easily discoloured on the section, by the ink feed, so to use them one might recommend light coloured inks. The Mark I's aluminium fillers also have proved to not withstand the age of time, since they sometime corrode and get stuck. I have tried the hard way with pliers sometimes but to no avail, they seem fused. The VS has become very popular among collectors, since they are excellent writers and often are equipped with flexible or semi-flexible
nibs. It is also relatively easy to obtain a "complete" collection of the VS.

Updated december 2003


One step back

Did You find this information valuable? Please consider a donation.
Just click on one of the logos.


If You find errors or omissions, please let me know
Fountain PensFountain PensFountain Pens

© 1995-2008 Tony Fischier and The Parker Pen Company®.
This page is in no way sponsored by or created by the Parker Pen Company®. All opinions, views, and thoughts expressed herein are expressly the authors, and in no way reflect the opinions, views, or thoughts of the Parker Pen Company®. All logos and/or images on these pages are ©Copyright of Tony Fischier and/or Parker Pen Company® and reprinted by kind permission.

Everything on this website is copyrighted by law and can not be used without written permission from the author, Tony Fischier. You may however use the information as reference material and although it is forbidden to make digital copies or reproductions it may be physically printed for personal use. You may also quote parts of the content of this website, digitally or physically, providing that the source and author is clearly stated, together with the copyright information.